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Trust in the Lord Classic Pen

I Can Do All Things Classic Pen

His Grace Is Enough Classic Pen

A Classic Pen, like the His Grace is Enough Classic Pen, is a sweet, caring gift for a friend in need. Tuck this pen into a journal or an inspirational book or add to a care package you send to a student or a missionary. The beautiful gift box it comes in makes it a gift that holds its own.

Be Still and Know Classic Pen

A Classic Pen is a super gift idea to show you care. Giving the Be Still and Know Classic Pen is a caring way to show your friend, mother, or sister that you care about her and support her. You can tuck this pen into a gift basket with meaningful gifts or care package filled with heartwarming goodies, but its beautiful gift box covered in purple roses gives you the option of presenting it on its own and still making a bold statement. 

When She Speaks Faux Leather Journal

The When She Speaks Taupe Faux Leather Classic Journal makes an excellent gift for a woman that embodies the kindness and wise words of the Proverbs 31 woman. Encourage someone today with a gift that lets her

Be Still & Know Faux Leather Journal

The Be Still & Know Blue Floral Quarter-bound Faux Leather Classic Journal is a beautiful reminder of God's love for you!

I Know the Plans Faux Leather Journal with Zip

The beauty and comforting message of the I Know the Plans Purple Faux Leather Classic Journal with Zipped Closure will inspire you every day.

When She Speaks Wirebound Journal

The When She Speaks Large Wirebound Journal is an excellent gift for any woman you genuinely admire! Let her know how much you love and respect her and the wise and kind words she shares. The When She Speaks Large Wirebound Journal is a lovely gift for your wife, mother, grandmother, or friend to let her know just how much she is appreciated. Let's not take for granted the women who mean so much to us and are encouraging us day-after-day and year-after-year!

Fearfully & Wonderfully Made Wirebound Journal

The Visitation 1000 Piece Puzzle

The two expectant mothers of Raphael's Visitation dominate the pictorial space, showcasing the special graces that have been conferred upon Mary and Elizabeth. Raphael, the most sought-after painter in the world at the time, had just mastered painting in oils when he produced this work, and the innovative technique allowed for softer effects and more natural looking detail. The compositional device of joined hands was a recent innovation, departing from earlier images where Elizabeth either knelt before Mary or embraced her. The background propels the viewer to the Baptism of Christ, when the cousins John and Jesus meet again. John pours water over Christ while above, the skies open to reveal God the Father, borne by angels in a burst of golden rays.

The Nativity 1000 Piece Puzzle

Instead of displaying the Christ child in a manger and enfolded in swaddling clothes, in his Adoration of the Shepherds, Ghirlandaio lies Christ on a fold of Mary's robe against the ground, while all the other figures kneel in adoration around Him. Joseph turns away to look towards the dazzling parade of the approaching Magi. The pageant wends its way through an expertly rendered distance in a cheerful array of pinks, yellows, and reds flecked with gold leaf - precious highlights noticeably lacking in the foreground figures. Ghirlandaio himself occupies an unusually prominent position as the kneeling shepherd in the foreground pointing to the Child with his hand on his heart, demonstrating not only his authorship of the work, but his devotion to the subject.

The Presentation 1000 Piece Puzzle

Art historians know little of this Northern European painter, but he uses dazzling color to mesmerizing effect in his Presentation at the Temple. Mary's mantle glows in lapis lazuli blue, the rarest of hues imported from Afghanistan. The blue of St Joseph's robe is more muted, while Simeon's tunic seems tinged with brown. But for all the delight for the eyes, this moment of joy is but a prelude to extended suffering. Jesus, sitting up in the arms of his mother, is situated on a direct diagonal with the infant being stabbed by one of Herod's soldiers. St Joseph, seemingly relegated to the outskirts of the scene, was intentionally placed below the brutal attack, a reminder that he will soon have to flee with his family from the murderous rage of Herod.